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首页> 外文期刊>Canadian acoustics >The Acoustics of Performance Halls J. Christopher Jaffe W. W. Norton and Company, 2010 List price: Cd
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The Acoustics of Performance Halls J. Christopher Jaffe W. W. Norton and Company, 2010 List price: Cd

机译:表演厅的声学J. Christopher Jaffe W. W. Norton and Company,2010年标价:镉

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Quick! Name that acoustician who designed the Toronto Opera House and the new auditorium for the Royal Conservatory of Music in Toronto. I am sure, the name of the architect is at the tip of your tongue, but alas the acoustician is difficult to name. Of course, most of us familiar are with the giants such as Leo Beranek, Ted Schultz and Russell Johnson who have contributed not only to auditorium acoustics, but to the overall field of engineering acoustics in general. [Note: The acoustician for the two brilliant auditoria is Bob Essert of Sound Space Design Ltd., London, UK]. Architects seem to take centre stage (perhaps rightfully so), but many of them do not even mention the name of the acoustician in their press releases. If the acoustics of the auditorium is not up to snuff, the blame is placed squarely on the poor, non-descript acoustician. It is such a joy, therefore, to receive a book where the acoustician seems to have played a major role in making sure the auditorium satisfies the demands of the different stakeholders and at the same time seems to have collaborated well with architects. Christopher Jaffe's book The Acoustics of Performance Halls provides a wonderful backdrop to the oft-difficult collaborative relationship between the architect and the acoustician.
机译:快!指出设计多伦多歌剧院和多伦多皇家音乐学院新礼堂的声学家。我敢肯定,建筑师的名字就在您的舌头,但是las,声学家很难命名。当然,我们大多数人都熟悉Leo Beranek,Ted Schultz和Russell Johnson之类的巨头,他们不仅对礼堂声学产生了贡献,而且对整个工程声学领域也做出了贡献。 [注意:两位杰出听众的声学家是英国伦敦Sound Space Design Ltd.的Bob Essert。建筑师似乎占据了中心位置(也许是对的),但其中许多人甚至没有在新闻稿中提及声学家的名字。如果礼堂的音响效果不佳,则应将责任直接放在可怜的,不起眼的音响师身上。因此,很高兴收到一本书,在该书中,声学家似乎在确保礼堂满足不同利益相关者的要求方面发挥了主要作用,同时似乎与建筑师合作得很好。克里斯托弗·贾菲(Christopher Jaffe)的《表演厅的声学》一书为建筑师与声学家之间通常难以达成的合作关系提供了绝佳的背景。

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