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The therapeutic role of Somali humour in digesting military humanitarian intervention

机译:索马里幽默在消化军事人道主义干预中的治疗作用

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摘要

Despite its humanitarian rhetoric, the US-led UN military humanitarian intervention in Somalia (UN Operation Somalia, 1992-1995) involved high levels of violence against the recipient population generating long-term psychosocial effects on the Somali people. While survivors'personal narratives of the intervention display numerous symptoms of undigested pain, Somali oral literature performs an important role in healing individual and collective wounds inflicted by the violent past. In line with the traditional roles and functions of the Somali oral literature, psychosocial consequences of UN armed involvement in Somalia (UNOSOM) intervention are mainly addressed through oral verses and poetry. Some elements of the violent past, however, are engaged with by means of humorous oral prose. Focusing on the intervention-related humour appearing in the drama Refugee Life created by the Somali artist in Dadaab refugee camps (Kenya), the therapeutic potential of laughter in digesting some aspects of the intervention-violence that are otherwise difficult to process are explored in this article.
机译:尽管采取了人道主义言论,但美国领导的联合国对索马里的军事人道主义干预(联合国索马里行动,1992-1995年)对受援国人民施加了高水平的暴力,对索马里人民产生了长期的社会心理影响。尽管幸存者的个人叙述显示出许多未消化的疼痛症状,但索马里口头文学在治愈暴力过去造成的个人和集体伤口方面起着重要作用。与索马里口头文学的传统作用和职能相一致,联合国武装介入索马里(联索行动)干预的社会心理后果主要通过口头诗句和诗歌来解决。但是,暴力过去的某些内容是通过幽默的口头散文进行的。着眼于索马里艺术家在达达卜难民营(肯尼亚)创作的电视剧《难民生活》中出现的与干预有关的幽默,探讨了笑在消化干预暴力某些方面的治疗潜力,而这些方面本来就很难处理。文章。

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