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The perception of musical phrase structure: a cross-cultural ERP study.

机译:乐句结构的感知:跨文化的ERP研究。

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摘要

Electroencephalography (EEG) was used in a cross-cultural music study investigating phrase boundary perception. Chinese and German musicians performed a cultural categorization task under Chinese and Western music listening conditions. Western music was the major subject for both groups of musicians, while Chinese music was familiar to Chinese subjects only. By manipulating the presence of pauses between two phrases in the biphrasal melodies, EEG correlates for the perception of phrase boundaries were found in both groups under both music listening conditions. Between 450 and 600 ms, the music CPS (closure positive shift), which had been found in earlier studies with a false tone detection task, was replicated for the more global categorization task and for all combinations of subject group and musical style. At short latencies (100 and 450 ms post phrase boundary offset), EEG correlates varied as a function of musical styles and subject group. Both bottom-up (style properties of the music) and top-down (acculturation of the subjects) information interacted during this early processing stage.
机译:脑电图(EEG)用于跨文化音乐研究,研究词组边界知觉。中德音乐家在中西音乐聆听条件下执行文化分类任务。西方音乐是这两组音乐家的主要主题,而中国音乐只有中国主题才熟悉。通过操纵双短语旋律中两个短语之间的停顿,在两种音乐聆听条件下,两组中的短语边界感知均与脑电图相关。在450到600毫秒之间,复制了较早的研究中使用错误音调检测任务发现的音乐CPS(关闭正移),用于更全面的分类任务以及主题组和音乐风格的所有组合。在短时延(短语边界偏移后100和450毫秒)时,脑电图相关性随音乐风格和主题组的变化而变化。在此早期处理阶段,自下而上(音乐的风格属性)和自上而下(主题的培养)信息相互作用。

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