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From realistic theater to real theater

机译:从现实剧院到真正的剧院

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This article analyzes the various aspects that have influenced the development of realistic theater up until what is today understood as "real theater". Arising in the nineteenth century in France and being opposed to romantic theater, realistic theater has extended its influence to several other countries, including Brazil. As the years go by, several theater vanguards refused realism and the subsequent naturalism by searching new approaches and experiences that could be provided by the theater, as well as experience new ways of relationship between scene and audience. By undergoing dialogue with authors from different ages and contexts, we verify how this trajectory took place between a theater that proposes a scenic reality in its visual aspect and a theater that proposes an experience with reality.
机译:本文分析了影响现实剧院发展的各个方面,直到今天被理解为“真实剧院”。 在法国十九世纪和反对浪漫剧院,现实剧院在浪漫的剧院中产生了对包括巴西在内的其他几个国家的影响。 随着年的日子,几个剧院先锋队通过寻找可以由剧院提供的新方法和经验来拒绝现实主义和随后的自然主义,以及体验现场与观众之间的新关系方式。 通过与来自不同年龄和环境的作者进行对话,我们验证了在剧院之间发生的轨迹如何在其视觉方面和一个提出现实经验的剧院中提出景区的现实。

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