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When nationalism meets hip-hop: aestheticized politics of ideotainment in China*

机译:当民族主义符合Hip-Hop时:中国的思想家的审美政治*

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This essay unravels the coalescence between bottom-up youth culture and state-led ideological work in China by examining the patriotic hip-hop music videos of a Chinese youth band. I attend to the ways in which the state-centric ideology is aesthetically evoked by co-opting popular cultural formats, maneuvering grassroots nationalistic expressions and appropriating symbols of both tradition and modernity. Hip-hop is thus localized and sanitized as a cultural medium of propaganda. The limitations of such co-optative tactics are also discussed, particularly the tradeoff between ideological control and authentic expressivity, and the risk of de-sublimating auratic cultural symbols for political persuasion.
机译:本文通过检查中国青年乐队的爱国嘻哈音乐视频,在中国的自下而期青年文化和国家主导的思想工作之间的联盟。 我参加了通过共同选择流行的文化格式审美审美思想的方式,操纵基层民族主义表达和挪用传统和现代性的象征。 因此,嘻哈是本地化和消毒作为宣传的文化媒介。 还讨论了这种共同选择性策略的局限性,特别是思想控制和真实表达之间的权衡,以及用于政治劝说的解除升华的神秘文化符号之间的权衡。

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