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'There Is No Miracle More Cruel Than This': Readian Relaxation and Maternal Agency in Plath's Three Women

机译:“没有奇迹比这更残忍

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On an August day in 1962 the opening line of Sylvia Plath's Three Women was broadcast over the radio waves of the BBC's Third Programme: "I am slow as the world. I am very patient" (176, 1. 1). Alternately referred to as a verse drama and a polyvocal poem, Three Women traces the thoughts of three separate women through various stages of their respective pregnancies and chronicles their emotions as they enter the hospital maternity ward for delivery (or, in the case of the Second Voice, for a necessary procedure following her miscarriage).2 We know the poet heavily annotated her copy of Dr. Grantly Dick Read's Childbirth Without Fear. Moreover, before the birth of her daughter Frieda, Plath enrolled in relaxation classes at a local antenatal clinic.4 So the fact that Read's theory of natural childbirth informs Three Women is not surprising. In a general sense, Plath's long poem depicts labor as a process that takes place in a hospital ward but does not
机译:1962年8月的一天,西尔维亚普拉斯三名妇女的开放线上被广播在BBC的第三个计划的无线电波上播出:“我像世界一样慢。我很耐心”(176,1.1)。 交替被称为一部诗歌戏剧和多维诗歌,三名女性通过各自怀孕的各个阶段追溯三个独立妇女的思想,并在进入医院产妇段的交付时,他们记载了他们的情绪(或者在第二个案件中 声音,对于她流产后的必要程序).2我们知道诗人大量注释了她的博士副诗般的迪克读过的分娩而没有恐惧。 此外,在她的女儿弗里达的诞生之前,在当地的天文学诊所中注册了放松课程.4所以阅读自然分娩理论通知三个女性并不令人惊讶。 在一般意义上,普拉斯的长诗将劳动描绘成在医院病房中发生的过程,但没有

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