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首页> 外文期刊>The International Journal of Sustainable Development and World Ecology >Analysis on the landsense creation of Chinese classical poetry and mountains-and-waters painting based on landsenses ecology
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Analysis on the landsense creation of Chinese classical poetry and mountains-and-waters painting based on landsenses ecology

机译：基于Landsenses生态学的中国古典诗歌和水域绘画的土地敏感分析

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摘要

Inspired by Chinese traditional art forms and architectural thoughts, landscape ecology or landsenseology emphasizes the integration of human physical senses, psychological perceptions and sustainable development concept into the regional ecol-environmental research and planning-construction-management, which is an inheritance and development to ancient Chinese simple ecological ideas and sustainable development consciousness. The multiscale of spatiotemporal combination is one of the principles of landsense creation, which means that people's senses and perceptions at different times and different places can be integrated into a single landsense for a landsense creation. The bidirection of vision manifestation and the vein-compliance of orientation are the other two main principles of landsense creation. As traditional Chinese art creations, poetry, calligraphy and painting possess the same origin, poetry, calligraphy and painting reproduce their creators' perceptions of ecosystems and also present their creators' visions for a better living environment, which reflects people's simple ecological ideas and sustainable development consciousness at that time. Zhihuan Wang is a famous poet in the Chinese Tang Dynasty. The poem, On the Stork Tower, is one of his representative works. This poem is widely loved by people and has been widely spread in China. Based on the theory and methodology of landsenses ecology or landsenseology, this paper analyzes the creation method, lofty artistic conception and good vision of the poem, which provides an effective approach or methodology for art appreciation. The analysis framework formed with this approach is of enlightening significance for the theoretical researches and practices of eco-environmental art creation, eco-environment construction and sustainable development.
机译：受中国传统艺术形式和建筑思想的启发，景观生态学或土地调度强调了人类体力感官，心理观念和可持续发展观的整合到区域经济环境研究和规划 - 建设 - 管理层，这是古代的遗产和发展中国简单的生态思想和可持续发展意识。时空组合的多尺度是Landsense创作的原则之一，这意味着人们的感官和在不同时间和不同地方的感知可以集成到一个Landsense创造的单一Landsense中。视力表现的双向方向和方向的静脉遵守是Landsense创造的其他两个主要原则。作为中国传统的艺术创作，诗歌，书法和绘画具有同样的起源，诗歌，书法和绘画再现他们的创造者对生态系统的看法，并展示了他们创造者的愿景，以实现更好的生活环境，这反映了人们简单的生态思想和可持续发展当时的意识。志源王是中国唐代着名的诗人。诗歌塔上的诗是他的代表作品之一。这首诗被人民广泛爱，并在中国广泛传播。本文基于Landsenses生态学或土地调度的理论和方法，分析了诗歌的创作方法，崇高的艺术观念和良好的愿景，为艺术升值提供了有效的方法或方法。采用这种方法形成的分析框架是对生态环境艺术创作，生态环境建设和可持续发展的理论研究和实践的启示。

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