...
  • 主题
高级搜索  >
历史搜索 清空历史
首页> 外文期刊>Quarterly Journal of Forestry >Woodland Management and Art
【24h】

Woodland Management and Art

机译：林地管理和艺术

获取原文
获取原文并翻译 | 示例
           
页面导航
  • 摘要
  • 著录项
  • 相似文献
  • 相关主题

摘要

That there is considerable interest in the relationship been trees and art is shown by a recent spate of books and papers that discuss the ways trees are drawn and painted (Carey, 2012; Payne, 2018; Piana et al., 2016; Summerfield et al., 2016; Watkins, 2014; 2018). Although trees feature in many paintings, it is quite unusualfor an artist to depict forestry activities or woodland management. Moreover, in most paintings and drawings, trees with unidentifiable foliage are used as a rather vaguely drawn background or framing device. Indeed, a close examination of most paintingsby professional and amateur artists forces one toagree with the Victorian critic John Ruskin (1843) who argued that "of all objects that defeat and defy the utmost efforts of the painter to approach their beauty, a noble tree is the most inimitable". There are luckily, of course, many exceptions and great artists such as Albrecht Durer, Claude Lorrain, John Constable, Edward Lear and Marianne North have drawn and painted remarkable representations of trees. In this article, I consider some artworks that allow us to learn something of the history of trees and woodland management.
机译：在这段关系中有相当兴趣的是树木和艺术是由最近的书籍和论文所展示的，讨论树木被绘制和绘制的方式（Carey，2012; Payne，2018; Piana等，2016; Summerfield等。，2016; Watkins，2014; 2018）。虽然树木的特色在许多绘画中，但这是一个描绘林业活动或林地管理的艺术家是非常不矛盾的。此外，在大多数绘画和图纸中，具有不明叶子的树木用作相当模糊的背景或框架装置。实际上，对大多数绘画的密切检查是与维多利亚语评论家John Ruskin（1843年）迫使一个Toagree致辞，他认为“所有失败的物体失败并违反画家努力接近他们的美丽，贵族树是最不可取的“。幸运的是，当然，许多例外和伟大的艺术家，如Albrecht DuRer，Claude Lorrain，John Constable，Edward Lear和Marianne North绘制和绘制了非凡的树木。在本文中，我考虑了一些艺术品，让我们了解树木和林地管理历史的东西。

著录项

相似文献

  • 外文文献
  • 中文文献
  • 专利
获取原文

客服邮箱：kefu@zhangqiaokeyan.com

京公网安备：11010802029741号 ICP备案号：京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有

  • 客服微信

  • 服务号