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From Barbers and Butchers to Modern Surgeons

机译:从理发师和屠夫到现代外科医生

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In 1875 Thomas Eakins, a realist painter who later became known for his studies in motion photography, watched as one of the United States' most prominent surgeons, Samuel D. Gross, removed dead tissue from a patient's infected thigh bone. Eakins was at work on what would become The Gross Clinic, an 8-by-61/2-foot oil painting set in the surgical amphitheater at Philadelphia's Jefferson Medical College. The image is at once grim and alluring, and according to the Philadelphia Museum of Art, it is "one of the most often reproduced, discussed, and celebrated paintings in American art history."
机译:1875年,托马斯埃克斯,一个稍后因运动摄影的学业而被称为美国最突出的外科医生,塞缪尔D.粗糙,从患者感染的大腿骨中移除死亡组织之一的现实主义的画家。 Eakins在Philadelphia杰斐逊医学院的手术圆形剧场中展示了什么是将成为诊所,这是一个8×61/2英尺的油画。 该图像立即严峻,诱人,并根据费城艺术博物馆,它是“美国艺术史上最常见的,讨论和庆祝的绘画之一。”

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