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首页> 外文期刊>American Journal of Archaeology: Official Organ of the Archaeological Institute of America >Prolegomenon to the Study of Apulian Red-Figure Pottery
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Prolegomenon to the Study of Apulian Red-Figure Pottery

机译：普利亚红图陶器研究的开端

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摘要

There is a tendency in English-language publications to view Apulian red-figure pottery as simply a continuation of Attic red-figure, and this has often obscured important differences between the two. The unfounded assumpt on that Apulian red-figure vases were made by Greeks for colonial Greeks has diverted attention from the Italic people of Apulia who, in fact, provided the principal markets. Apulian vases are rarely found outside Apulia and it seems likely that many painters knew their markets well and had them specifically in mind when they devised sonic of the more elaborate mythological scenes. Thus the vases can provide insights into the cultures of the Italic people who obtained them. This article is an attempt to address significant misconceptions about Apulian red-figure and to provide a solid grounding for future studies of tins rich and developing field.
机译：在英语出版物中，有一种趋势将普利亚红图陶器视为阁楼红图的延续，这经常掩盖了两者之间的重要差异。关于普利亚红图花瓶是希腊人为殖民地希腊人制作的毫无根据的假设转移了人们的注意力，而普利亚人实际上是提供主要市场的意大利人。普利亚花瓶很少在普利亚大区外发现，似乎许多画家都非常了解自己的市场，并在设计更为精美的神话场景时特别注意它们。因此，花瓶可以洞悉获得花瓶的意大利人的文化。本文旨在解决对普利亚红图的重大误解，并为将来对锡罐的丰富和发展中的领域提供坚实的基础。

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