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MUSEUM REVIEW Pompeii in Washington MICHAEL KOORTBOJIAN

机译:博物馆评论华盛顿的庞贝城MICHAEL KOORTBOJIAN

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摘要

Despite recent controversies, Italian institutions not only continue to make available loans of archaeological materials and ancient works of art for exhibitions but also do so in spectacular fashion. The National Gallery of Art's Pompeii and the Roman Villa: Art and Culture Around the Bay of Naples exemplifies such cooperative ventures and includes many works of exceptional quality and great interest. In this exhibition, hese ancient works of art serve to evoke the traditional character of domestic life enjoyed by the old residents and new colonists who populated this region in the first century B.C.E. and first century C.E., as well as the elevated aesthetic tastes of those upper-class members of Roman society whose luxurious country estates, or villas, along the Campanian coastline provided a respite from urban life. Relatively recent archaeological finds, such as the stunning triclinium frescoes from Moregine and the astounding Aphrodite from Rione Terra (Pozzuoli), are joined here with familiar major works, such as the bronze Victorious Youth from Herculaneum's Villa dei Papiri, the berm portrait of Gains Cornelius Rufus and the "daughter" of M. Nonius Balbus from Pompeii, and a host of marvelous examples of silver, as well as lesser-known examples of painting, sculpture, and decorative arts, such as two standing bronze "lampstand" figures, several portraits, and a number of small, detached fresco fragments. All of these, and other works as well, contribute substantially to the exhibition's aesthetic impact and broad appeal (fig. 1).
机译:尽管最近发生了争议,意大利机构不仅继续为展览提供考古材料和古代艺术品的借贷,而且还以惊人的方式提供借贷。国家艺术馆的庞贝古城和罗马别墅:那不勒斯湾周围的艺术与文化就是这种合作的典范,其中包括许多品质卓越且引起人们极大兴趣的作品。在这个展览中,这些古老的艺术品唤起了公元前一世纪居住在该地区的老居民和新殖民者所享有的传统家庭生活特征。公元一世纪,以及罗马社会中上流社会人士的审美品位提高,他们在坎帕尼亚海岸线上的豪华乡村庄园或别墅为城市生活提供了喘息的机会。相对较新的考古发现,例如莫雷金(Moregine)令人惊叹的三斜壁画和Rione Terra(Pozzuoli)令人惊叹的阿芙罗狄蒂,还与大家熟悉的主要作品合在一起,例如赫库兰尼姆(Herculaneum)的Villa dei Papiri的青铜胜利青年(Victorious Youth),获得了加尼·科尼利厄斯(Gains Cornelius)的画像Rufus和庞贝城的M. Nonius Balbus的“女儿”,以及许多精美的银器实例,以及鲜为人知的绘画,雕塑和装饰艺术实​​例,例如两个站立的青铜“灯架”人物,人像,以及许多小的分离的壁画碎片。所有这些以及其他作品,也极大地促进了展览的美学影响和广泛的吸引力(图1)。

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