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The experience of art therapists who work in private practice when retaining clients' artworks after therapy termination

机译:在治疗终止后保留客户的艺术品时,艺术治疗师的经验

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This study explored how art therapists experience the retention of clients' artworks after therapy termination. Thirteen semi-structured interviews were conducted with art therapists working in private practice and were subsequently analyzed according to Charmaz's grounded theory approach. Three main categories emerged: 1. "The motivation to retain artworks": how this relates to the needs of both clients and art therapists; 2. 'How long should the artworks be retained?": the challenges involved in deciding whether to continue retaining the artworks or not 3. "Disposal of artwork": the process of disposal and its complexities. The findings reveal that art therapists who retain artworks after therapy termination are in a unique situation: The artworks evoke past therapy and personal experiences, motivating the art therapists to retain them as a way to preserve these experiences. Typically, only certain life situations or the burden of the accumulating artworks spur art therapists to dispose of them. The disposal is difficult, sometimes even impossible.
机译:本研究探讨了艺术治疗师在治疗终止后如何体验客户艺术品的保留。与私人执业的艺术治疗师进行了13次半结构式访谈,随后根据Charmaz的扎根理论方法进行分析。出现了三个主要类别:1。“保留艺术品的动机”:这与客户和艺术治疗师的需求有何关系;2.“这些艺术品应该保留多久?“:决定是否继续保留这些艺术品所面临的挑战3。”艺术品的处理“:处理过程及其复杂性。研究结果表明,在治疗终止后保留艺术品的艺术治疗师处于一种独特的状态:艺术品唤起过去的治疗和个人经验,促使艺术治疗师保留它们,作为保存这些经验的一种方式。通常,只有特定的生活情况或累积艺术品的负担才会刺激艺术治疗。”我建议他们把它们处理掉。处理起来很困难,有时甚至是不可能的。

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