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首页> 外文期刊>Journal of poetry therapy >Un-M-Othered: An Autoethnographic Performance Narrative of Adoption and Patriarchy
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Un-M-Othered: An Autoethnographic Performance Narrative of Adoption and Patriarchy

机译:UN-M-odered:采用和父权制的自动性表演叙述

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摘要

"Un-M-Othered" is a creative and theoretical project that has important implications for the adoption community and beyond. It began with considering the ways that we can use stories to build bridges to create understanding and empathy around difficult subject matter. Grounded in the conviction that my own story has meaning and could be used to explore cultural phenomena and challenge people to think differently about those phenomena, themselves, and their own experiences via the lens of my experiences it is written in mixed genre and incorporates poetry, spoken word, and narrative elements to tell the story of being an adopted woman and the impacts of trauma, lack of access to birth records, and the ways that women are denied agency (sexual and otherwise) in patriarchal society. This is a deeply personal piece of work that explores the intensely political and social institutions of patriarchy and adoption culture and seeks to disrupt them through the visceral experience of live performance. As a solo artist I am committed to creating work that is vulnerable, exploratory, and thought provoking. I want my audiences to leave changed in some way; because the dominant narratives about adoption are heavily skewed in favor of adoptive parents as saviors and heroes this work disrupts that particular status quo by highlighting the impact of trauma on those most directly affected by adoption - adoptees - and humanizes birth mothers who have been historically erased from the narratives.
机译:“Un-M-Othered”是一个富有创意的理论项目,对收养社区和其他领域都有重要影响。它首先考虑了我们可以用故事搭建桥梁的方式,以创造对困难主题的理解和同理心。基于我自己的故事有意义的信念,可以用来探索文化现象,并通过我的经历来挑战人们以不同的方式思考这些现象、他们自己和他们自己的经历。这本书以混合体裁写成,并结合诗歌、口语和叙事元素来讲述被收养的女性的故事和创伤的影响,缺乏获得出生记录的渠道,以及在父权社会中女性被剥夺代理权(性或其他)的方式。这是一部极具个人色彩的作品,探索父权制和收养文化的强烈政治和社会制度,并试图通过现场表演的内心体验来打破这些制度。作为一名独奏艺术家,我致力于创作脆弱、探索性和发人深省的作品。我希望我的观众以某种方式离开;由于有关收养的主流叙事严重偏向于养父母作为救世主和英雄,这部作品通过强调创伤对那些最直接受收养影响的人(被收养者)的影响,打破了这种特殊的现状,并将历史上被从叙事中抹去的生母人性化。

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