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Waiting for Godot

机译：等待戈多

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摘要

In the late 20th Century, when there was discussion on whether ceramic art (which is closely linked to the practical tradition of craftsmanship and history) could accommodate the spirit of avant-garde modernism. Garth Clark, an art critic from the United States, argues that the thesis that it is only through the destruction of the old that we can we find something new was a myth and suggests that the destruction of tradition is not something that is always necessary for the avant-garde to prevail.1 Clark states that "History can be a servant to the avant-garde spirit"2, and notes that while it would be difficult to be creative if one is limited to the traditional and historical context in producing artworks, it could become a major problem if the artist is ignorant of their history. Others in the realm of fine art, such as Hans Sedlmayr (1896-1984), an art historian and critic from Austria, hold the same views as Clark.
机译：在20世纪末,当时(这是讨论是否陶瓷艺术与实际的传统密切相关工艺和历史)可以容纳前卫的现代主义精神。来自美国的艺术评论家,认为只有通过的论文我们可以找到破坏旧的新事物是一个神话和暗示破坏的传统不是prevail.1总是必要的前卫克拉克说,“历史是一个仆人前卫的精神”,并指出,尽管它如果一个是很难有创造力限于传统和历史背景生产的艺术品,它可能成为一个主要的如果他们的艺术家是无知的问题历史。汉斯Sedlmayr(1896 - 1984),一个历史学家和艺术评论家从奥地利,持有相同的观点克拉克。

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