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The Art of Threatened Species

机译:濒危物种的艺术

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Floral motifs and plant designs have adorned the ceramic surface for millennia, providing an endless source of shapes and patterns, unthreatening and calming; connecting us to the lifeforce of a tamed nature. The earliest motifs were likely scratched into soft clay and developed throughout culture and time in endless styles, using various techniques. The depiction of whole plants with botanical accuracy emerged from the Chelsea factory in London around 1755, inspired by scientific developments in botanical illustration alongside technological advances in English porcelain and china painting.1 The famous 2000-piece Flora Danica made by the Royal Copenhagen factory is an example of this approach, painted from the botanical work Flora of the Kingdom of Denmark.
机译:花卉图案设计和植物装饰数千年来,陶瓷表面提供一个无尽的形状和图案的来源,安宁和平静;驯服自然的生命力。可能是挠成软粘土和什么发达国家在文化和没完没了的风格,使用各种技术。整个植物与植物的准确性从切尔西工厂大约在1755年,在伦敦灵感来自植物的科学发展说明与技术进步英语painting.1瓷器和中国2000块植物丹妮卡由皇家哥本哈根厂是一个这样的例子植物植物的方法,绘制工作丹麦王国。

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