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An Extended Workshop Using Taxus cuspidata

机译：使用红豆杉cuspidata的扩展研讨会

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The Japanese Yew, Taxus cuspidata, featured in this styling sequence was imported from the island of Hokkaido, Japan. This is wonderful raw material to work with as an artist but also it is very good material for more advanced hobbyists to learn from.It is one of several Japanese Yews that I bought for my nursery in 2004 for my "One to One" and "Extended" workshops. I am trying to educate and encourage my clients and workshop participants into taking a softer, slower approach when styling material,and so in addition to the One to One workshops I hold at my nuis-ery, I have introduced extended work- shops or seminars where clients can work with me styling more advanced material such as this Taxus cuspidata over several sessions. The benefits are that the tree can be worked at its pace and not rushed; we have time to discuss in depth aspects of horticulture and aesthetics pertaining to the tree; and we have lots of time to record all of the work so that the client has a lasting record for future reference.
机译：此样式序列中的日本紫杉（红豆杉cuspidata）是从日本北海道的岛屿进口的。这是作为艺术家工作的绝妙原料，同时也是更高级的业余爱好者学习的极好材料。这是2004年我为托儿所购买的几只日本紫杉之一，它们是“一对一”和“扩展”研讨会。我正在尝试教育和鼓励我的客户和研讨会的参与者在设计材料时采取柔和，缓慢的方法，因此，除了在我的工作室举办的一对一研讨会之外，我还引入了扩展的车间或研讨会客户可以在几个会议上与我一起设计更高级的材料（例如此红豆杉cuspidata）。这样做的好处是，树可以按其步伐工作而不会奔忙;我们有时间深入讨论与该树有关的园艺和美学方面;而且我们有很多时间来记录所有工作，以便客户拥有持久的记录以备将来参考。

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