• 主题
高级搜索  >
历史搜索 清空历史
首页> 外文期刊>International journal of Jungian studies >Transformation through art: exploring Jung's view of art and the relevance of Charlotte Salomon's Life? or Theater?
【24h】

Transformation through art: exploring Jung's view of art and the relevance of Charlotte Salomon's Life? or Theater?

机译：通过艺术转型：探索荣格的艺术观和夏洛特·所罗门人生的相关性？还是剧院？

获取原文
获取原文并翻译 | 示例
           
页面导航
  • 摘要
  • 著录项
  • 相似文献
  • 相关主题

摘要

This paper explores Jung's concepts regarding art, the significant role of creativity in his notion of individuation, and art's relationship to transformation. As an illustration, it introduces Charlotte Salomon – a German Jewish artist who was murdered in the gas chambers at Auschwitz in 1943 – and her unique surviving opus, Life? or Theater? – a fictionalized autobiographical play-like work of art combining painted images, written words, and music. Applying Jung's theories as a lens, it broadly analyzes Salomon's work and considers it in light of Jung's distinction between psychological and visionary creative modes. In the process I reveal a potential material connection between Salomon and Jung, and argue that Life? or Theater? is not only artistically but also historically relevant to Jungian theory. By exploring Life? or Theater? in this way, my paper proposes that Jungian theory is a potent critical lens which can reveal a work of art's transformative nature and cultural significance.
机译：本文探讨了荣格关于艺术的概念，创造力在他的个性化概念中的重要作用以及艺术与变革的关系。作为插图，介绍了夏洛特·所罗门（Charlotte Salomon）（她是1943年在奥斯威辛集中营的毒气室中被谋杀的德国犹太艺术家）和她独特的幸存作品《生命？还是剧院？ –一种虚构的自传式类似戏剧的艺术品，结合了绘画的图像，文字和音乐。运用荣格的理论作为镜头，它广泛地分析了所罗门的作品，并根据荣格在心理和有远见的创造方式之间的区别来考虑它。在这个过程中，我揭示了所罗门与荣格之间潜在的物质联系，并争辩说生命？还是剧院？与荣格理论不仅在艺术上而且在历史上都有关系。通过探索生活？还是剧院？通过这种方式，我的论文提出，荣格理论是一个有力的批判镜头，可以揭示一件艺术品的变革性和文化意义。

著录项

相似文献

  • 外文文献
  • 中文文献
  • 专利
获取原文

客服邮箱：kefu@zhangqiaokeyan.com

京公网安备：11010802029741号 ICP备案号：京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有

  • 客服微信

  • 服务号