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首页> 外文期刊>International journal of Jungian studies >Ogni pensiero vola: the embodied psyche in Terrence Malick's The Tree of Life
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Ogni pensiero vola: the embodied psyche in Terrence Malick's The Tree of Life

机译：Ogni pensiero vola：特伦斯·马里克（Terrence Malick）的《生命之树》中的体现心理

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The Tree of Life touches on embodiment of the soul in an early sequence covering courtship, marriage and the first pregnancy of a young couple. In a delicate formal scene, Mrs O'Brien, nearing full term, treads gently along a river's edge summoning infant souls luminous in white linen. She opens a minute book of life to one of them, preparing his entry through the iron gates that open on embodied life. Presently, the infant soul rises up from his underwater home beyond the reach of conscious awareness: Mrs O'Brien gives birth to her first son, Jack. This is the boy who will eventually become a middle-aged man in crisis. Ravaged then by grief for his longdead younger brother and his own inability to live at peace with his family or himself, his memories, visions and reflections accumulate in a way that makes him a suffering Hermes for the early twenty-first century. The initiating episode of the infant's birth complements the embodied and affective experiences of those in the audience who accept the film's sensual invitation to steep themselves in the immense scale of its gorgeous sounds and images. They then discover on the pulse that, more than the history of one Texan family, it attempts nothing less than the necessary re-creation of the godhead for the early twenty-first century. Contrary to the rigid medieval dogmas of so many orthodox religions, The Tree of Life assures us not of a changeless eternity but rather the sacred and ceaseless metamorphosis of numinous energy.
机译：《生命之树》以早期的顺序触及了灵魂的体现，包括求爱，婚姻和一对年轻夫妇的第一次怀孕。在一个精致的正式场景中，奥布赖恩夫人接近足月，沿着河的边缘轻轻地踩踏，召唤着用白色亚麻布发光的婴儿灵魂。她为其中一个人打开了一本生活记录册，准备他通过铁闸打开大门，而铁闸则打开了体现生命的大门。目前，婴儿的灵魂从水下房屋中升起，超出了有意识的意识范围：奥布赖恩夫人生下了她的长子杰克。这是最终将成为危机中年男子的男孩。后来，他因已故的弟弟而悲痛，无法与家人或家人和平相处，他的记忆，愿景和反思不断积累，使他在二十一世纪初成为遭受苦难的爱马仕。婴儿出生的起始情节与观众中那些接受电影感性邀请的观众的具体和情感体验相辅相成，使他们沉浸在其华丽的声音和图像的巨大范围内。然后，他们立刻发现，除了一个德克萨斯家族的历史外，它还尝试了二十一世纪初必要的神格改造。与许多正统宗教的僵化中世纪教条相反，生命之树向我们保证的不是永恒不变的永恒，而是向我们保证了神圣而不断的能量变态。

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