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Representations of epilepsy on the stage: From the Greeks to the 20th century

机译:舞台上癫痫的表现形式:从希腊人到20世纪

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摘要

Epilepsy is a disorder that has been used by dramatists in various ways over the ages and therefore highlights the views of the disorder as people saw it at the time the plays were written and performed. In the 6th century BC, links between tragedy and epilepsy were developed by Greek playwrights, especially Euripides, in Iphigenia among the Taureans and Heracles where epilepsy and madness associated with extreme violence occur together. Both Heracles and Orestes have episodes after a long period of physical exhaustion and nutritional deprivation. During the Renaissance, Shakespeare wrote plays featuring different neurological disorders, including epilepsy. Epilepsy plays a crucial part in the stories of Julius Caesar and Othello. Julius Caesar is a play about politics, and Caesar's epilepsy is used to illustrate his weakness and vulnerability which stigmatizes him and leads to his assassination. Othello is a play about jealousy, and Othello, an outsider, is stigmatized by his color, his weakness, and his 'seizures' as a form of demonic possession.
机译:癫痫病是一种古老的戏剧形式,被戏剧家们广泛使用,因此人们在剧本创作和表演时就看到了癫痫症的观点。在公元前6世纪,悲剧与癫痫之间的联系是由希腊剧作家,尤其是Euripides开发的,在金牛座和赫拉克勒斯的伊菲真尼亚岛中,极端暴力相关的癫痫和疯狂同时发生。经过长时间的体力消耗和营养剥夺,赫拉克勒斯和奥雷斯特斯都有发作。在文艺复兴时期,莎士比亚创作了以癫痫为代表的各种神经系统疾病的戏剧。癫痫症在尤利乌斯·凯撒(Julius Caesar)和奥赛罗(Othello)的故事中起着至关重要的作用。朱利叶斯·凯撒(Julius Caesar)是一部有关政治的戏剧,凯撒的癫痫症被用来说明他的软弱和脆弱,这使他蒙受耻辱并导致他被暗杀。奥赛罗是一部关于嫉妒的剧本,局外人奥赛罗因其肤色,虚弱和作为一种恶魔财产的“扣押”而受到侮辱。

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