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The flash of war : how American patriotism evolved through the lens of The Flash comic books throughout the Cold War era

机译：战火：在整个冷战时期，美国爱国主义是如何通过闪电漫画的镜头演变而来的

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摘要

Comic book superheroes became a uniquely American phenomenon beginning in the wake of World War II. The characters and situations often reflected and alluded to contemporary events. Comic books are a vibrant cultural artifact through which people can get a glimpse into the past. The way in which Americans view their country and their faith in the government changed rather drastically between the end of World War II and the end of the Cold War in 1991, when the Soviet Union was officially dissolved. Throughout the duration of this paper, patriotism, as a ideological product of culture, will be looked at through the lens of The Flash and Flash comic book series from 1956 when The Flash reappeared, after a period of censorship and decline in superheroes' popularity post-WWTT, to the beginning of the 1990s. By looking at The Flash specifically, this thesis contributes to more nuanced research and further understanding of culture and the American view of patriotism during the Cold War era, a time of cultural and ideological upheaval.
机译：漫画书的超级英雄从第二次世界大战开始就成为一种独特的美国现象。这些人物和处境经常反映和暗示当代事件。漫画是一种充满活力的文化产物，人们可以通过它瞥见过去。在第二次世界大战结束和1991年苏联正式解散的冷战结束之间，美国人对国家和对政府的信仰的看法发生了巨大变化。在本文的整个过程中，经过一段时间的审查和超级英雄受欢迎程度的下降，从1956年《闪电侠》重现以来，爱国主义作为一种文化的意识形态产品，将通过《闪电侠》和《 Flash漫画系列》的镜头进行研究。 -WWTT，到1990年代初。通过专门研究《闪电侠》，本论文有助于对文化和意识形态剧变的时期冷战时期的文化进行更细致的研究，并进一步了解美国的爱国主义文化。

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    Hatton Rachel;

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