У статті авторка аналізує образи жінок, трансльовані udжіночим глянцевим журналом «PINK». І створює їх класифікацію відповідно до фінансового, еротичного й вольового критеріїв. Розглядається вплив соціуму на формування образів. ud(The objective of this article is to analyze the woman representation in the women’s glossy magazine «PINK». Author classifies images in accordance with financial, erotic and volitional criteria; explores the impact of society on formation of images. Author singles out these women’s images: – dominant woman (she controls her life and her partner’s life, but against her will, because of circumstances forced to do so, including her partner who does not perform his man’s functions); ud– freedom-loving woman (she wants to be independent from udthe views of society, financially independent from her husband or she does not want to marry. This image is the most advantageous for magazine’s readers); ud– woman-temptress, Circe (she is constantly looking for new lover);– decent girl (she never allow too much for herself); ud– a kept woman, dependent woman (she lives for someone udelse’s money). Author argues that these images can not be unambiguously called positive or negative. However, it is fully justified by modern social realities. The image of woman-mother in «PINK» magazine almost not represented. Perhaps this is because the image of freedom-loving women appeared. She just does not want to get married, create a family, and have children. In addition, most authors are unmarried women, and they do not want to write about children. And, obviously, the main reason is the actual audience of the magazine – too young for have children)
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机译：在这篇文章中，作者分析了女性光鲜杂志PINK播放的女性图像。并根据财务，色情和自愿标准创建其分类。考虑了社会对图像形成的影响。 ud（本文的目的是分析女性光鲜杂志《 PINK》中的女性形象。作者根据财务，色情和自愿标准对图像进行分类；探讨社会对图像形成的影响。妇女的形象：-占主导地位的妇女（她控制着自己的生活和伴侣的生活，但由于强迫的情况而违背了她的意愿，包括不能履行男人职责的伴侣）； ud –爱好自由的女人（她想要独立于 udud的社会观点，在经济上独立于她的丈夫或她不想结婚。此图像对于杂志的读者来说是最有利的）； ud –女妖，Circe（她一直在寻找新事物）情人）；-体面的女孩（她从不容忍太多自己）； ud –一个守旧的女人，一个依附的女人（她为某人 udelse的钱而生活）作者认为，这些形象不能明确地称为正面或负面。 ,,现代社会现实充分证明了这一点。 《粉红色》（PINK）杂志中的女性母亲形象几乎未得到体现。也许这是因为热爱自由的女性形象出现了。她只是不想结婚，创建家庭和生育孩子。此外，大多数作者都是未婚女性，她们不想写关于孩子的文章。而且，显然，主要原因是杂志的实际读者-太小而无法生孩子）
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