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首页> 外文会议>International Technology, Education and Development Conference >(685) IDENTITY AND CONTEMPORARY ART: A DIALECTICAL DISCUSSION TO THE POSTMODERN SUBJECT
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(685) IDENTITY AND CONTEMPORARY ART: A DIALECTICAL DISCUSSION TO THE POSTMODERN SUBJECT

机译：（685）身份和当代艺术：向后现代主题进行辩证讨论

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摘要

The complexity of the bonds between the individuals and its environment in the social context wastransformed through the postmodern rupture that leads to the conception of subject whose identity islinked to networks and technology platforms. In the same orientation, art has developed a branchedspeech on the theme of identity and new media that focuses on the conceptualization of thepostmodern subject, reaffirming the impact and importance of virtual technology and everyday life incontemporary being. This paper analyses the question about in what extent the postmodern paradigmdetermines the construction or deconstruction of the identity in the social relationships in nowadayssociety following the theoretical contextualization of the proposals from the constructivism of Vygotskyand the deconstruction of Derrida. We explore questions about cultural identity and representation asa social construct and how contemporary art has been inserting this discourses in their practices,considering contemporary art proposals that work with the identity of individuals in our social context,following forms of critique and resistance in art with the case of studies of artists working withappropriationism and deconstruction like Cindy Sherman and Richard Prince. This reflection andtheoretical analysis is in relation to the discussion of the issue of identity through artistic perspective inthe digital and new media society and is inserted into the research of the MA in arts management andproduction from the University of Murcia.
机译：通过后现代破裂，在社会背景下的个人和环境之间的复杂性和其环境中的形成，这导致了对网络和技术平台的身份突出的主题的概念。在相同的方向上，艺术已经开发了一个分支的身份主题和新媒体的分支，专注于博斯特现代主题的概念化，重申虚拟技术的影响和重要性和日常生活中的不确定。本文分析了关于德国武士建议的建议的理论背景下的社会关系中的社会关系中的身份的建设或解构问题的问题。我们探讨了关于文化身份和代表的问题，以及当代艺术在实践中，考虑到与我们的社会背景中的个人的身份，以后的批评和抗性与艺术中的批判和抵抗形式有关的当代艺术建议艺术家研究与辛迪谢尔曼和理查德王子等艺术家艺术家研究。这一反思和理论分析与艺术视角下的艺术视角下的身份问题讨论了数字和新媒体社会，并被插入穆尔西亚大学艺术管理中的艺术管理和生产研究。

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