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Study on Zheng Min's Controversial Appearance in Poetry and Her Position in Poetry School

机译:郑敏在诗歌学校竞争中的争议外观研究

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In the 1940s, Jiuye poets changed the landscape of the poetry at that time with brand new poetic practice. Under the circumstances of internal and external oppression, they opened up new space and persisted in creation, and they still achieved short-term glory. This article combines history and theory, with "Poetry Collection: 1942 - 1947" as the text carrier, combs the historical details of Zheng Min's controversial appearance and her position among the Jiuye poets, and analyzes how to persist and be loyal to the personal experience under special circumstances, from the individual to feel the times, feel the history, feel the life, thus forming her own way of expression from philosophy to poetry.
机译:在20世纪40年代,Jiuye诗人随时改变了诗歌的景观,并用全新的诗意练习。在内部和外部压迫的情况下,他们开辟了新的空间并坚持在创造中,他们仍然实现短期荣耀。本文将历史和理论结合在一起,“诗集收藏:1942年 - 1947年”作为文本承运人,梳理郑敏的历史细节,郑敏的争议外观和她在九岩诗人中的立场,并分析了如何持续,忠于个人经历在特殊情况下,从个人感受到时代,感受到历史,感受到生命,从而形成自己的方式与诗歌的哲学表达。

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