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The Beauty of Kunqu Opera 'The Romance of West Chamber' Observed from Three Dimensions

机译：Kunqu Opera的美“西室的浪漫”观察到三维观察到

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摘要

The Chinese Kunqu Opera "Romance of the Western Chamber" ("Xi Xiang Ji" in Chinese), a classic work containing rich essence, has played a leading and evergreen role in the opera stage of the Ming and Qing Dynasties and even later generations. It caters to people's aesthetic taste and is in line with Li Yu's theory of "Three Beauties" and Zhang Geng's aesthetic theory of "Three Topics". Based on these theories of aesthetics, the author analyzes from the perspective of opera aesthetics by combining various materials, and holds that the Kunqu Opera "Romance of the Western Chamber" has the beauty of "Three-dimensional View" of opera, that is, the beauty of exquisite opera writing, of magnificent performance and of combination of form and spirit, which can be regarded as the model of Chinese classical opera aesthetics.
机译：中国昆乐歌剧“西部商会的浪漫”（“西翔姬”中文版），含有丰富的本质的经典工作，在明清阶段阶段竞赛阶段发挥了常绿和常绿的作用，甚至几代人。它迎合人们的审美品味，并符合李玉的“三个美女”理论和张庚的“三主题”的审美理论。根据美学的这些理论，作者通过组合各种材料来分析歌剧美学的角度，并认为昆曲歌剧“西部房间的浪漫”具有“三维观”的歌剧之美，即，精美歌剧写作的美丽，壮观的表现和形式和精神的结合，可以被视为中国古典歌剧美学的模型。

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