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首页> 外文会议>International Workshop on Education Reform and Social Sciences >Chinese Aesthetics in Film and Television: A Case Study of Zhang Yimou and Jia Zhangke's Movies
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Chinese Aesthetics in Film and Television: A Case Study of Zhang Yimou and Jia Zhangke's Movies

机译：中国电影和电视中的中国美学 - 以张爱玉和贾镇克的电影为例

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摘要

Chinese films have undergone six generations of changes, and many popular works have made Chinese films go abroad and go global. In particular, the fifth generation of directors who shouldered the banner of China's contemporary film and the "new generation" of the sixth generation of directors in the film art reached the peak and made great contributions to the development of Chinese film. Due to the different circumstances of the times, the film aesthetics of the fifth and sixth generation directors in the works of art are very different. This article takes the fifth-generation director Zhang Yimou and the sixth-generation director Jia Zhangke as an example, combining the characteristics of the times, discussing the differences between the two directors in the narrative style, artistic image and film theme, analyzing the film and television aesthetics of the two directors, and expecting the future. The development and trend of China's film and television industry will give certain enlightenment.
机译：中国电影经历了六代变化，许多流行的作品使中国电影出国并走全球。特别是，肩负着中国当代电影的旗帜的第五代董事和电影艺术中第六代董事的“新一代”达到了高峰，为中国电影的发展做出了巨大贡献。由于时代的情况不同，艺术作品中第五和第六代董事的电影美学非常不同。本文采取了第五代主任张一口和第六代主任贾张口，结合了时代的特点，讨论了叙事风格，艺术形象和电影主题的两个董事之间的差异，分析了这部电影和两个董事的电视美学，并期待未来。中国电视台的发展和趋势将提供一定的启示。

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