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Anachrony in Vladimir Nabokov's Lolita: A Study of the Novel's Narrative Tense Arrangement

机译:Vladimir Nabokov的洛丽塔的疯狂:关于小说的叙事紧张安排的研究

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This article represents a critical reading of the arrangement of the narrative tense in the storytelling of Vladimir Nabokov's Lolita (1955). Gerard Genette's concept of narratology as a structuralist approach to literary criticism forms the theoretical grounding for this analysis. The study aims to explicate the plot and its narrative order, the storytelling techniques used in the novel, the process in which they generate certain narrative effects, and the narrator's temporal position vis-a-vis the story that is being recounted. The study employs descriptive methods to interpret textual facts and data obtained from the research object. The examination reveals that Lolita's plot is communicated using the framework of analepsis combined with achrony, an amalgamation that explains the novel's complex narrative structure. Achrony is also pivotal in suspending the significance of certain events in Lolita and the device thus creates substantial narrative impact. It delivers the essence of the novel, which is specifically engendered by the interactions between the initial narrative and the verified account tendered by the narrator of Lolita.
机译:本文代表了Vladimir Nabokov Lolita(1955年)讲故事中叙事时态的安排的批判性阅读。 Gerard Genette作为文学批评的结构主义方法的叙事学的概念形成了这种分析的理论基础。该研究旨在突出地块及其叙事顺序,小说中使用的讲故事技巧,它们产生某些叙事效果的过程,以及叙述者的时间位置Vis-A-Vis正在讨论的故事。该研究采用描述性方法来解释从研究对象获得的文本事实和数据。考试表明,使用Analepsis的框架与结合的框架沟通Lolita的情节,解释了新颖的复杂叙事结构的融合。 achrony也是关键在暂停洛丽塔和设备中某些事件的重要性,因此产生了大量的叙事的影响。它提供了小说的本质,这是由初始叙述与洛丽塔叙述者招标的识别账户之间的相互作用的互动。

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