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Traveling nature, imagining the globe: Japanese tourism in the Canadian Rockies.

机译:环游自然,畅想全球:加拿大落基山脉的日本旅游。

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摘要

This dissertation examines how the Canadian landscape became a site for Japanese tourists to imagine a particular form of cosmopolitanism that responds to Japan's ambivalent position in the world as one of the largest economies, yet one marked as outside the Euro-American cultural tradition. I approach this issue by analyzing how Japanese tour guides mediate various understandings of nature as they interpret the Canadian landscape for tourists from Japan. Ethnographic fieldwork was conducted in Banff, Alberta, Canada and Japan in 2000 and 2001.;I argue that the way knowledge about nature is produced and circulated through tourism provides a tool for imagining global space and individual positions within it. Throughout Japan's modernization process, beginning in the late nineteenth century, the Western notion of nature has provided Japanese thinkers with a new epistemology, enabling them to connect the social order with the natural environment of a national landscape. This practice of envisioning the relationship between individuals and society through nature has been reformulated in the post-WWII era, especially with the development of Japanese consumer capitalism and rapid mobilization of the population into a mass middle class under the strong political, economic, and socio-cultural influence of the United States.;Japanese nature tourism in Canada, which is close to but different from the United States, has become a cultural site where social norms and standards constitutive of postwar development in Japan are manifested in a contradictory manner. The main aim of overseas mass tourism has not been to challenge normative Japanese conceptions of nation and capitalism, yet this form of travel often triggers critical reflection on exactly these norms by offering a comparative viewpoint that reveals the unnaturalness of previously accepted social norms. Tour guides' interpretive practices ambivalently provoke questions about the foundational narratives of the modern nation-state, such as work ethics, gender, and family as social foundations, and scientific knowledge, simultaneously reinforces these discourses. I address the significance of the concept of nature in social imaginaries by analyzing how knowledge about nature are articulated and re-articulated in tourist encounters.
机译:本文研究了加拿大风景如何成为日本游客想象一个特殊的世界主义形式的场所,这种形式对世界上日本作为世界上最大经济体之一的矛盾立场作出了回应,而这一立场却被标记为欧美文化传统之外。我通过分析日本导游在为来自日本的游客解释加拿大风景时如何调解对自然的各种理解来解决这个问题。民族志田野调查于2000年和2001年在加拿大,加拿大和日本的班夫,班夫进行。我认为,有关自然知识的产生和通过旅游业传播的方式为想象全球空间和其中的个人位置提供了一种工具。从19世纪末开始的整个日本现代化进程中,西方自然观为日本思想家提供了新的认识论,使他们能够将社会秩序与国家自然景观联系起来。在第二次世界大战后的时代,这种通过自然界构想个人与社会关系的做法得到了重新制定,特别是随着日本消费资本主义的发展以及在强大的政治,经济和社会环境下人口迅速动员到中产阶级中-美国的文化影响力;与日本相近但又与美国不同的加拿大日本自然旅游已成为文化场所,在这里,日本战后发展的社会规范和标准相互矛盾。海外大众旅游的主要目的并不是要挑战日本的规范民族和资本主义概念,但是这种旅行形式往往会通过提供一种比较观点来引发对这些规范的批判性反思,从而揭示先前接受的社会规范的不自然性。导游的解释性做法含糊地引发了关于现代民族国家的基本叙述的问题,例如职业道德,性别和作为社会基础的家庭,以及科学知识,同时强化了这些论述。我通过分析在旅游中如何表达和重新表达关于自然的知识,来解决社会假想中自然概念的重要性。

著录项

  • 作者

    Satsuka, Shiho.;

  • 作者单位

    University of California, Santa Cruz.;

  • 授予单位 University of California, Santa Cruz.;
  • 学科 Anthropology Cultural.;Recreation.
  • 学位 Ph.D.
  • 年度 2004
  • 页码 238 p.
  • 总页数 238
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 人类学;群众文化事业;
  • 关键词

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