• 主题
高级搜索  >
历史搜索 清空历史
首页> 外文学位 >Blue Dreams, Black Disillusions: Literary Market and Modern Authorship in the Late Ottoman Empire
【24h】

Blue Dreams, Black Disillusions: Literary Market and Modern Authorship in the Late Ottoman Empire

机译：蓝色的梦想，黑色的幻灭：奥斯曼帝国晚期的文学市场和现代作者身份

获取原文
获取原文并翻译 | 示例
页面导航
  • 摘要
  • 著录项
  • 相似文献
  • 相关主题

摘要

Why would a successful young novelist write the story of a failed poet told from the point of view of a sympathetic narrator, and why would this failed protagonist then become a role model for the next generation of litterateurs? Focusing on the last decades of the nineteenth century, this dissertation explores the ways in which a set of contextual factors, such as the proliferation of printing technologies, the rise in literacy, governmental efforts at standardizing education and the emergence of journalism as a professional field, impacted perceptions of authorship in the Ottoman imperial capital, thus changing the definitions of success and failure in the field of literature.;Using one of the most controversial literary texts of the time, Halit Ziya's Mai ve Siyah, the story of a "failed" poet, as a gateway to the emotional states of Servet-i Funun writers, a leading - albeit small - group in the literary debates of the time, I argue that the effort at regulating the realms of education and publishing by the palace during the second half of the century had the unintended consequence of encouraging a more individual engagement with the written text, thus creating young litterateurs who yearned to align their artistic production with their own aesthetic inclinations and to express their existential dilemmas in the face of a changing world, not only through the texts they wrote but also through the outfits they sported and places they frequented. This went hand in hand with the new possibility, created by journalism as private enterprise, of making money outside the realm of the state or the protection of a powerful patron while producing literary texts, an unprecedented prospect for Ottoman litterateurs, one that also challenged the foundations of the 'official slavery' system where wealth and status were to be endowed solely by the sultan, and solely at his pleasure. This dissertation thus demonstrates the strong repercussions this period had for generations to come, setting new terms for literary production, publishing and journalism.
机译：为什么一个成功的年轻小说家会从一个富有同情心的叙述者的角度来写一个失败的诗人的故事，为什么这个失败的主角会成为下一代文学家的榜样？本文着眼于19世纪的最后几十年，探讨了一系列背景因素的方式，例如印刷技术的普及，识字率的提高，政府对教育的标准化以及新闻学作为专业领域的兴起的努力。 ，影响了奥斯曼帝国首都对作者身份的看法，从而改变了文学领域成败的定义。；使用当时最有争议的文学作品之一，哈利特·兹亚（Halit Ziya）的《我的世故》（Mai ve Siyah），讲述了一个“失败的故事”诗人，作为通往Servet-i Funun作家情感状态的门户，是当时文学辩论中的一个领导小组（虽然是小团体），我认为，宫廷在努力调节教育和出版领域的努力本世纪下半叶产生了意想不到的结果，即鼓励更多的个人参与书面案文，从而造就了渴望适应其文字的年轻文学家。具有自己审美倾向的艺术作品，并在不断变化的世界中表达自己的生存困境，不仅是通过他们撰写的文字，而且是通过他们穿着的服装以及他们经常去的地方。这与新闻业作为私营企业创造的新可能性相伴而生，即在制作文学作品的同时，在国家范围之外或在保护有力的赞助人的范围内赚钱，这对奥斯曼文学界的人来说是空前的前景，也挑战了文学界。 “官方奴隶制”制度的基础，其中的财富和地位将完全由苏丹来赋予，并且完全由苏丹来享有。因此，本文证明了这一时期对子孙后代的强烈影响，为文学创作，出版和新闻界树立了新的术语。

著录项

  • 作者

    Seviner, Zeynep.;

  • 作者单位

    University of Washington.;

  • 授予单位 University of Washington.;
  • 学科 Near Eastern studies.;Comparative literature.
  • 学位 Ph.D.
  • 年度 2015
  • 页码 221 p.
  • 总页数 221
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

相似文献

  • 外文文献
  • 中文文献
  • 专利
获取原文

客服邮箱：kefu@zhangqiaokeyan.com

京公网安备：11010802029741号 ICP备案号：京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有

  • 客服微信

  • 服务号