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首页> 外文期刊>Contemporary British History >Putting the Charity Back into Charity Singles: Charity Singles in Britain 1984-1995
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Putting the Charity Back into Charity Singles: Charity Singles in Britain 1984-1995

机译：将慈善事业重新纳入慈善单身人士行列：1984年至1995年在英国的慈善单身人士

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摘要

The development of the charity single as a response to crisis is usually exemplified by the release of the Band Aid single ‘Do They Know it's Christmas’ in December 1984 and the Live Aid concerts in London and New York in July 1985. This article will explore the subsequent development of the charity single genre in Britain as a response to perceived crisis in the domestic context. The 1980s saw a series of events that were reacted to as domestic disasters, notably relating to football at Bradford, and Hillsborough, the Zeebrugge Ferry disaster and the Hungerford and Dunblane shootings. Whilst these events played out various anxieties over regionality, class, and the role of the police and press, they all precipitated one similar response—the charity single. In the process the charity single, as a recognisable form, was consolidated through the 1980s in terms of cover design, related promotional culture and music video as well as in lyrical and musical structure. In this article I will argue that, taken together, the heterogeneity of charity singles reinforces the ways in which Thatcherism was able to use ‘common sense’ popular culture to undermine the post-war consensus. Collectivity and universality were countered with individual responsibility and individual solutions to social challenges.View full textDownload full textKeywordsThatcherism, Charity, Pop Music, The Eighties, Live AidRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/13619462.2012.703026
机译：慈善单曲作为应对危机的发展通常以1984年12月发行的Band Aid单曲“ Do Know Know It's Christmas”以及1985年7月在伦敦和纽约举行的Live Aid音乐会为例。本文将探讨英国慈善单一类型的后续发展，以回应国内背景下的感知危机。 1980年代，发生了一系列事件，这些事件对家庭灾难起了反应，特别是与布拉德福德（Bradford），希尔斯伯勒（Hillsborough）的足球，泽布鲁日渡轮（Zeebrugge Ferry）灾难以及亨格福德和邓布兰枪击事件有关。这些事件虽然对地区，阶级，警察和新闻界的作用产生了种种焦虑，但它们都引发了类似的反应-慈善单身。在此过程中，慈善单曲以一种可识别的形式在整个1980年代在封面设计，相关的宣传文化和音乐视频以及抒情和音乐结构方面得到了巩固。在本文中，我将论证在一起，慈善单身人士的异质性增强了撒切尔主义能够利用“常识”流行文化破坏战后共识的方式。集体和普遍性与个人责任和对社会挑战的个人解决方案相抵触。 ，twitter，technorati，可口，linkedin，facebook，stumbleupon，digg，google，更多”，发布号：“ ra-4dff56cd6bb1830b”};添加到候选列表链接永久链接http://dx.doi.org/10.1080/13619462.2012.703026

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