The Fourth Plinth: creating and contesting national identity in Trafalgar Square, 2005-2010

Shanti Sumartojo

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The Fourth Plinth: creating and contesting national identity in Trafalgar Square, 2005-2010

机译：第四基座：2005-2010年在特拉法加广场建立和争夺民族身份

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Since 1999 the Fourth Plinth in Trafalgar Square has seen the installation of a range of contemporary artworks that have prompted a national discussion about national identity, tolerance, diversity and history in the context of Trafalgar Square. This article explores aspects of the narrative around the Fourth Plinth scheme since 2005 to discuss the relationship between different versions of national identity and public place, and how the use of historical narratives can shore up contemporary versions of national identity.

机译：自1999年以来，特拉法加广场（Trafalgar Square）的第四柱座（Fenth Plinth）看到了一系列当代艺术品的安装，这些艺术品促使全国范围内就特拉法加广场的民族认同，宽容，多样性和历史进行讨论。本文探讨了自2005年以来围绕“第四柱”计划的叙事的各个方面，以讨论不同版本的民族认同与公共场所之间的关系，以及使用历史叙事如何支撑当代版本的民族认同。

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来源
《Cultural Geographies》 |2013年第1期|67-81|共15页
作者
Shanti Sumartojo;
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作者单位

School of Sociology, College of Arts and Social Sciences, Australian National University, Canberra 0200 ACT, Australia;

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正文语种 eng
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关键词
Fourth Plinth; history; lieux de memoire; national identity; place; Trafalgar Square;

机译：第四基座历史;记忆的地方;国家身份;广场;特拉法加广场;

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The Fourth Plinth: creating and contesting national identity in Trafalgar Square, 2005-2010

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