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Patterns That Connect Patterns That Connect: A Thematic Foreword

机译：连接的模式连接的模式：主题前言

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In the film Mindwalk, Sonja Hoffman, a physicist played by Liv Ullmann, is asked by a politician (played by Sam Waterston) to name those thinkers whose work embodies this "new systems thinking" Hoffman is speaking so highly of. Three names come to her―with the connector among them being Gregory Bateson. Such is Bateson's legacy that this film, made over a decade after his death, sees fit to put his name out there as a systems thinker that the world of film viewers ought to become familiar with. Mindwalk is an extended peripatetic conversation between a physicist, a politician and a poet, set in the inspiring natural and designed space of Mont St. Michel, with the haunting minimalist music of Philip Glass. It is fitting that Bateson's name should be invoked, certainly as a systems thinker whose work we need to know, but also as someone whose passions connect those with such diverse backgrounds and ways of seeing, as a physicist, politician and poet.
机译：在电影Mindwalk中，由Liv Ullmann扮演的物理学家Sonja Hoffman被一位政治家（由Sam Waterston扮演）请来提名那些思想家，这些思想家的工作体现了霍夫曼对此高度评价的“新系统思维”。她来了三个名字，其中的一个是格雷戈里·贝特森（Gregory Bateson）。这是贝特森的遗产，这部电影是在他去世十多年后制作的，因此很适合将他的名字摆在那里，因为他是系统的思想家，电影观众应该对此感到熟悉。 Mindwalk是物理学家，政治家和诗人之间广泛的对话，它坐落在激发灵感的自然和设计的圣米歇尔山空间中，并带有菲利普·格拉斯（Philip Glass）极简主义的音乐。确切地说，应该引用贝特森的名字，既要作为系统思想家，我们需要知道他的工作，又要作为一个热情洋溢的人，将热情高涨的人与具有不同背景和见解的人联系起来，成为物理学家，政治家和诗人。

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