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Exploring the Bloodaxe Archive: a creative and critical dialogue

机译：探索血斧档案馆：富有创意和批判性的对话

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The acquisition of the internationally significant archive of poetry publisher Bloodaxe Books in 2013 was the starting point for a new collaboration between library staff at Newcastle University and researchers in the School of English Literature, Language and Linguistics. An exploratory, and then a major, Arts and Humanities Research Council-funded project, ‘The Poetics of the Archive: Creative and Community Engagement with the Bloodaxe Archive’, became the opportunity to test new theories about archival practice, particularly through digital applications, and expand the audience traditionally involved with literary archives from humanities researchers, to poets, artists and film-makers. The project was realized through both following and subverting established foundations of archival practice: alongside traditional cataloguing, which provided the strong frame for other activities and the metadata on which it drew, an experimental digital interface was created, which could harness multimedia and creative outputs. It was also the aim of the interface to emulate an experience where users had the capacity to ‘browse’ the data alongside ‘search and retrieve’ discoverability, and make links that depended on the kind of serendipity on which creative activity thrives.
机译：纽卡斯尔大学图书馆工作人员与英语文学，语言和语言学学院的研究人员之间开展新的合作，是于2013年收购了国际知名的诗歌出版商Bloodaxe Books档案馆的起点。一个由艺术与人文研究委员会资助的探索性项目，然后是一个大型项目，“档案的诗学：与血斧档案的创造性和社区互动”，成为了检验新的档案实践理论的机会，尤其是通过数字应用，并将传统上涉及文学档案的受众从人文研究人员扩大到诗人，艺术家和电影制片人。该项目是通过遵循和颠覆档案实践的既定基础来实现的：除传统编目（为其他活动和其汲取的元数据提供强大框架）外，还创建了一个实验性数字界面，可以利用多媒体和创意输出。界面的目的还在于模仿一种体验，即用户具有“浏览”数据的能力以及“搜索和检索”的可发现性，并且可以根据创意活动蓬勃发展的偶然性来进行链接。

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