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首页> 外文期刊>Research on Humanities and Social Sciences >Myth, History and the Revolutionary Ethos in Morountodun by Femi Osofisan
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Myth, History and the Revolutionary Ethos in Morountodun by Femi Osofisan

机译：费米·奥索菲桑（Femi Osofisan）的神话，历史与摩罗敦敦的革命精神

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摘要

This paper emphasis on Osofisan’s myth which is on situations in oral performance and it helps to select episodes from the life of Moremi to coincide with that of Titubi, while emphasis on both heroines as characters in a drama helps to keep the story line clear to the audience. The thrust of this paper is to select areas of the myth that are amenable to Osofisan’s ideological mode of thought. Paradoxically, the use of this myth on stage lends physical body to an imaginary figure. It is on the moves of the story in a flux of fact, fiction, legend and myth, all arranged to allow the audience a critical, yet entertaining perspective. The playwright selects aspects of myth and history that are deemed relevant to the social and economic issues being discussed in the play. The paper identifies corruption, poverty and social inequality as the recurring problem of Africa in postcolonial era in this play. It adopts revolutionary ethos which links genuine social-political freedom to the collective actions of the people. He prefers as heroes, the ordinary people whose labour sustains society and a few people from the privileged class like Titubi, who commit class suicide and join the struggle of the common people in their agitation for self-determination. To Osofisan, societal and individual freedom is only possible through collective actions.
机译：本文着重介绍Osofisan的神话，即关于口头表演的情境，它有助于从Moremi的生活中选择情节与Titubi的情节相吻合，而强调两个女主角作为戏剧中的角色有助于使故事情节清楚听众。本文的重点是选择适合奥索菲桑的思想模式的神话领域。矛盾的是，在舞台上使用这个神话会使身体成为一个虚构的人物。故事，事实，虚构，传奇和神话不断地在故事的动向中进行排列，以使观众获得批判但有趣的视角。剧作家选择神话和历史的方面，这些方面被认为与剧中讨论的社会和经济问题有关。本文认为腐败，贫困和社会不平等是后殖民时代非洲反复出现的问题。它采用了革命精神，将真正的社会政治自由与人民的集体行动联系在一起。他更喜欢英雄，他们是能维持社会工作的普通百姓，也有像蒂图比这样的特权阶层的少数人，他们会自杀，并与平民百姓斗争，为自决而奋斗。对于奥索菲桑而言，只有通过集体行动才能实现社会和个人自由。

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