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The Concept of Life Force in the Plays of George Bernard Shaw

机译:萧伯纳(George Bernard Shaw)戏剧中的生命力概念

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The Victorian Age is known not only for its technological advancements but also for compromises that resulted in a battle between reason and faith. The impact of Darwin’s ‘Origin of Species’ was widely seen in the works of contemporary writers. While Dickens presented the crude realities of society in a serious manner, Shaw, who wrote in the later part of the century, painted the gloomy picture in color. He ridiculed the follies of society by comparing the conventional notions with the idealistic ones. He dealt with numerous subjects like war, medicine, law, politics, prostitution, love, etc. but his approach towards these themes remained alien to the society. Love, for example, was considered divine and beautiful by writers and poets before Shaw, but he exposed the motive behind falling in love and the concept of Life Force in his plays. In this research paper I am discussing the theme of Life Force in the selected plays of George Bernard Shaw and the plays I have taken for my research are Arms and the Man and Man and the Superman.
机译:维多利亚时代不仅以其技术进步而著称,而且以导致理性与信仰之战的妥协而闻名。达尔文的《物种起源》的影响在当代作家的作品中广为人知。狄更斯以严肃的态度介绍了社会的原始现实,而在本世纪下半叶撰写的肖则用彩色画了悲观的画面。他通过将传统观念与理想主义观念进行比较来嘲笑社会的愚蠢行为。他处理过许多主题,例如战争,医学,法律,政治,卖淫,爱情等,但是他对这些主题的态度对社会而言仍然陌生。例如,在肖之前,爱情被作家和诗人认为是神圣而美丽的,但他在戏剧中暴露了坠入爱河的动机和生命力的概念。在这篇研究论文中,我将讨论乔治·伯纳德·肖的精选戏剧中生命力的主题,而我为研究而拍摄的戏剧是《武器与人与人》和《超人》。

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