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Frances Beardsley Clark's Diary: The Record of a Ninetheenth-Century American Women

机译:弗朗西丝·比尔兹利·克拉克(Frances Beardsley Clark)的日记:19世纪美国妇女的记录

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NINETEENTH-CENTURY woman's fiction in Americainsistently urges the softening of God's rigidly patriarchalfeatures. One thinks of the corpus of Elizabeth Stuart Phelps'works, particularly The Gates Ajar, in which she attempts to purgeChristianity of the oppressive Calvinism that dominates it.1 Phelpspresents us with deeply spiritual and heroic women through whomshe expresses a vitally feminine view of God. Phelps' two greatthemes are i ) God is not an ogre whose sole function is to pronouncecruel judgements; he is possessed of the specifically feminine traitsof mercy and tenderness toward his children; and 2) it is dangerousfor women to marry: it always means their oppression, compromise,and downfall.2.
机译:十九世纪女性在美国的小说始终敦促软化上帝严格的父权制特征。人们想到了伊丽莎白·斯图尔特·菲尔普斯(Elizabeth Stuart Phelps)的作品,尤其是盖茨·艾哈尔(Gates Ajar),她试图在该作品中吹扫主宰压迫性加尔文主义的基督教。1菲尔普斯向我们展示了深刻的属灵和英勇女性,通过这些女性,她表达了对上帝至关重要的女性观点。菲尔普斯的两个大主题是:)上帝不是一个食人魔,其唯一功能是宣判残酷的审判;他具有对孩子的怜悯和温柔的女性特质; 2)妇女结婚很危险:它总是意味着她们的压迫,妥协和堕落。2。

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