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“A Bed of Nails”: Professional Musicians’ Accounts of the Experience of Performance Anxiety From a Phenomenological Perspective

机译:“一张指甲床”:专业音乐家对表现出现象学视角的性能焦虑的经验

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Most investigations of musical performance anxiety have employed quantitative methodologies. Whereas such methodologies can provide useful insights into the measurable aspects of the experience in a larger group of participants, the complexity, subtlety and individuality of the emotional experience and the importance of the individual’s interpretation of it are often overlooked. This study employed a phenomenological approach to investigate the lived, subjective experience of performance anxiety, as described in professional musicians’ narratives. Semistructured interviews with four professional musicians (two males, two females) specializing in Western classical and jazz music genres were conducted and analyzed using Interpretative Phenomenological Analysis (IPA). The analysis revealed the presence of four overarching themes: (1) Intensity of performance anxiety experience, (2) perceived effects, (3) development of coping strategies and (4) achieving release from anxiety. Findings suggest that the lived experience of performance anxiety is multifaceted, characterized by a physical and a psychological dimension. Interpretative Phenomenological Analysis is a useful research tool that can facilitate our understanding of the subjective experience of performance anxiety (how it is felt and understood at an individual level) and can thus be useful in the development of tailor-made intervention programs for musicians.
机译:大多数音乐表现焦虑的调查都采用了定量方法。然而,这种方法可以为更大的参与者的经验的可衡量方面提供有用的见解,情感经验的复杂性,微妙和个性以及个人对其的解释的重要性往往被忽视。本研究采用了一种现象学方法来调查绩效焦虑的生活,主观经验,如专业音乐家的叙述中所述。使用解释性现象学分析(IPA)进行了专门从事西方古典和爵士音乐类型的四个专业音乐家(两名男性,两名女性)的晶体化访谈。分析揭示了四个总体主题的存在:(1)性能焦虑经历的强度,(2)感知效果,(3)应对策略的发展和(4)从焦虑释放释放。调查结果表明,多方面的性能焦虑的生活经验,其特点是物理和心理维度。解释性现象学分析是一种有用的研究工具,可以促进我们对性能焦虑的主观体验的理解(如何在个人层面感受到和理解),因此可以在为音乐家制定量身定制的介入计划的发展中有用。

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