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Video Synthesizers: From Analog Computing to Digital Art

机译:视频合成器:从模拟计算到数字艺术

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In the late 1960s, artists and engineers began building increasingly sophisticated video synthesizers, machines that produced abstract or distorted images by electronically manipulating either a video signal or the cathode ray tube on which it was displayed. This article explores how experimental videographers modeled video synthesizers on audio synthesizers, conceptualized them as analog computers, and starting in 1973, interfaced them with digital minicomputers. They used digital computers first as programmable controllers for complex analog synthesizers and then as sources of digital imagery themselves, integrating video and computer graphics in hybrid analog/digital systems.
机译:在1960年代后期,艺术家和工程师开始制造越来越复杂的视频合成器,这些机器通过对视频信号或显示其的阴极射线管进行电子操纵来产生抽象或失真的图像。本文探讨了实验摄影师如何在音频合成器上对视频合成器进行建模,并将其概念化为模拟计算机,并从1973年开始将其与数字小型计算机接口。他们首先将数字计算机用作复杂模拟合成器的可编程控制器,然后将其用作数字图像的来源,将视频和计算机图形集成到混合模拟/数字系统中。

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