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首页> 外文期刊>Visual Communication >The synthetic color sense of Pipilotti Rist, or, Deleuzian color theory for electronic media art
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The synthetic color sense of Pipilotti Rist, or, Deleuzian color theory for electronic media art

机译:Pipilotti Rist的合成色彩感,或电子媒体艺术的Deleuzian色彩理论

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摘要

Electronic artist Pipilotti Rist's colorful and sensuous video installations enliven the new media landscape and offer a fresh paradigm for conceptualizing color in electronic media art. This article traverses this landscape in Rist's work by way of Gilles Deleuze's equally unique and idiosyncratic color theory. While Deleuze articulated his color theory in terms specific to painting, his theory was nonetheless structured out of analogies to inorganic, electronic, and synthetic, machine systems, and thus it is highly compatible for discussions of color in electronic aesthetics. This article explicates Deleuze's argument that color is a form of haptic sensation that is not nostalgic, nor purely meaningless, but rather offers fresh affects, erotics, and sensorial possibilities that balance meaning and chaos, and affect and logic. The article concludes that the much-needed continuation of color philosophy within new media art is broached through Rist's synthetic, yet lively artwork.
机译:电子艺术家Pipilotti Rist丰富多彩且感性的视频装置激发了新媒体的面貌,并为电子媒体艺术中的色彩概念化提供了新的范例。本文通过吉尔斯·德勒兹(Gilles Deleuze)同样独特而又特质的色彩理论来审视Rist的作品。尽管德勒兹(Deleuze)用绘画特有的语言表达了色彩理论,但他的理论却与无机,电子和合成机器系统相似,因此与电子美学中的色彩讨论高度兼容。本文阐述了德勒兹(Deleuze)的论点,即颜色是一种触觉感觉的形式,它既不是怀旧的,也不是纯粹没有意义的,而是提供了平衡含义和混乱,影响和逻辑的新鲜情感,刻板印象和感觉可能性。文章的结论是,新媒体艺术中急需的色彩哲学延续是通过Rist合成而生动的艺术品提出的。

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