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Introduction 'An Exclusive Privilege . . . to Complain': Framing Fashionable Diseases in the Long Eighteenth Century

机译:介绍“独家特权”。。。抱怨“:漫长的十八世纪框架时尚疾病

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It was during the course of the long eighteenth century especially that British and European medical commentators drew critical attention to the novel, modish prominence of certain diseases. Practitioners who afforded conspicuous coverage to fashionable diseases ranged (most famously) from the respectable Bath physician James M. Adair (1728-1802) and the Lausanne doctor of sedentary and literary maladies Samuel Auguste Tissot (1728-97) to the rather more obscure Montpellier emigre, London-based quack M.D., Marmaduke Venel (fl. 1808-16). Lay and medical observers alike had often before and have often since recognized how constructions of both illness and its treatment are profoundly colored by shifting fashions. Just as gout commonly took on the culturally- and rather gender-exclusive mantle of a "patrician malady" during the Georgian era,3 the manner and mode of melancholy became a somewhat cultish discourse for British writers and elite sufferers during the Elizabethan period.
机译:这是在十八世纪较长的十八世纪的过程中,特别是英国和欧洲医学评论员吸引了对小说的关键重视某些疾病的突出。 从尊敬的洗澡医生詹姆斯M. Adair(1728-1802)和封闭和文学疫苗(1728-97)(1728-97)到相当模糊的蒙彼利埃(1728-97),从业人员们提供了显着的疾病 埃米格尔,伦敦的嘎嘎MD,MARMADUKE静脉(FL.1808-16)。 奠定和医疗观察员通常以前曾经经常曾经认识到这种疾病的结构和其治疗的建设是如何通过移位时尚的深刻着色。 就像赫托伊尔时代的“帕特里克·麦拉迪”的文化 - 和相当性别独自的地幔一样,忧郁的态度和模式在伊丽莎白时期期间,忧郁的态度和精英患者变得有点培养。

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