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Asian Fashion as Seen from Europe, The 'Center of World Fashion'

机译：从欧洲看亚洲时尚，“世界时尚中心”

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摘要

Every form of modern mass media, including newspapers, television and magazines, engages in a feverish competition in dispatching news about the Paris Collection held twice a year. The history of modern fashion in the world dates mainly to Paris of the late 19th century. The first Asian designers to be recognized in Paris were Japanese like Kenzo Takada and Issey Miyake who debuted in the 1970s. They presented original Western-style clothes entirely different from those of European designers — and gained widespread recognition. When the 1980s came along, Rei Kawakubo, Yoji Yamamoto and others joined the Parisian circle of Japanese designers, generating a boom in the fashion worlds of both Europe and the United States. This boom occurred against thebackground of the fast-growing Japanese textile industry and Japan's rising economic strength, which apparently contributed to the recognition of Japanese fashion. It was also helped along by the fact that the 1970s was a transitional period when the Paris Collection was changing from haute couture (high fashion) to the more affordable pret-a-porter (ready-to-wear).
机译：包括报纸，电视和杂志在内的各种形式的现代大众媒体都在热烈竞争中，每年派发两次有关巴黎收藏的新闻。世界现代时尚的历史主要可以追溯到19世纪后期的巴黎。日本的第一批亚洲设计师是日本人，例如在1970年代首次亮相的高田贤三和三宅一生（Issey Miyake）。他们展示了与欧洲设计师完全不同的西式原创服装，并获得了广泛认可。当1980年代到来时，川久保玲（Rei Kawakubo），山本洋次（Yoji Yamamoto）等人加入了日本设计师的巴黎圈子，在欧美时尚界掀起了一股热潮。这种繁荣是在日本纺织业快速发展和日本经济实力不断增强的背景下发生的，这显然促进了对日本时尚的认可。 1970年代是一个过渡时期，巴黎系列正从高级时装（高级时装）转变为价格更便宜的成衣（成衣），这也得到了帮助。

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