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A method and apparatus for the manufacture of reproductions of original oil paintings and having the characteristic appearance of said originals

机译:一种制造原始油画复制品并具有所述原始物特征外观的方法和设备

摘要

782,703. Reproducing the surfaces of oil paintings. KUNST IM DRUCK OBPACHER AKT.-GES. March 28, 1955 [April 30, 1954; March 19, 1955], No. 8926/55. Class 87(2). [Also in Group XVI] Oil paintings are reproduced by a method which comprises the following steps: (1) hardenable material, e.g. synthetic resin, is cast on the surface of the original to take an impression of the surface irregularities, e.g. brush marks. (ii) an impression plate is made from the casting. (iii) a coloured negative reproduction of the original painting is printed on a thin sheet of paper or the like which constitutes an intermediate impression carrier. (iv) a stack is made, Fig. 4, of the impression plate 8, the intermediate impression carrier 16, a coarse canvas 12 covered with a layer of laquer 20 miscible with printing ink 19, and a pad 21 of resilient material such as felt. (v) heat and pressure are applied to the stack. (vi) after cooling, hte impression carrier is softened with water and washed off the canvas and the impression plate is available for further reproductions. The casting of step (1), suitably of beeswax or a colour repellant artificial resin, can be used as the impression plate or an impression plate can be taken off the casting by electrically forming a deposit on its surface in known manner, removing the resin and replacing it with cast lead or zinc or more artificial resin. The heat and pressure are applied by steel plates 14, 14SP1/SP heated by steam pipes 15 or by electrical or other means. A pressure of between 20 and 60 Kg. per sq. cm. at a temperature of between 80‹C. and 95‹C. is applied for a period of 1¢ to 3 minutes. 21 may also represent a hard-grained plywood plate, to which the canvas becomes secured by an adhesive sheet 22. When a felt backing is used the canvas is subsequently stretched in a frame. The paper for the intermediate impression carrier, e.g. metachrome paper, should be as thin as possible. A thin sheet of artificial resin is also suitable. Before the negative reproduction is printed the sheet is coated with a thin layer of varnish which becomes an upper surface protection for the printing ink. Under the heat and pressure the lacquer layer on the canvas becomes viscous and takes up particles of the printing ink on the intermediate impression carrier. Using heating plates 14, 141, 1411 &c. of different widths a press is used, Fig. 8, in which a series of stacks as in Fig. 4, each forming a unit 23, are loaded. The walls 26, 27 of the press are stepped at 29, 30 to form supports for the heating plates and a ram 28 is guided between them.
机译:782,703。复制油画的表面。 KUNST IM DRUCK OBAKHER AKT.-GES。 1955年3月28日[1954年4月30日; [1955年3月19日],编号8926/55。 87(2)类。 [也属于第XVI组]通过包括以下步骤的方法来复制油画:(1)可硬化的材料,例如涂料。将合成树脂浇铸在原件的表面上,以留下表面不规则的印象,例如刷痕。 (ii)由铸件制成压印板。 (iii)将原始绘画的彩色负片复制品印刷在构成中间压印载体的薄纸等上。 (iv)在图4中制成印模板8,中间印模载体16,覆盖有可与印刷油墨19混溶的漆20层的粗糙帆布12以及诸如橡胶之类的弹性材料垫21的叠层。毡。 (v)对堆施加热量和压力。 (vi)冷却后,将印模载体用水软化并从画布上洗掉,印模板可用于进一步复制。步骤(1)的铸件,适合使用蜂蜡或拒色人造树脂,可以用作压印板,或者可以通过以已知方式在其表面上电沉积沉积物,除去树脂来将压印板从铸件上取下。并用铸铅或锌或更多人造树脂代替。热量和压力通过由蒸汽管15或通过电气或其他方式加热的钢板14、14 1 施加。压力在20至60 Kg之间。每平方厘米温度在80°C之间。和95 ‹C。适用时间为1¢至3分钟。 21也可以代表硬颗粒的胶合板,帆布通过粘合片22固定在其上。当使用毡背衬时,帆布随后在框架中拉伸。用于中间印模载体的纸张,例如变色纸,应尽可能薄。人造树脂薄片也是合适的。在印刷负片复制品之前,先在纸张上涂上一层薄薄的清漆,这将成为印刷油墨的上表面保护层。在热和压力下,画布上的漆层变得粘稠,并吸收了中间压印载体上的印刷油墨颗粒。使用加热板14、141、1411&c。在图8中使用不同宽度的压力机,其中装载了如图4所示的一系列堆叠,每个堆叠形成一个单元23。压力机的壁26、27在29、30处成阶梯状,以形成用于加热板的支撑,并且在它们之间引导压头28。

著录项

  • 公开/公告号GB782703A

    专利类型

  • 公开/公告日1957-09-11

    原文格式PDF

  • 申请/专利权人 KUNST IM DRUCK OBPACHER A.G.;

    申请/专利号GB19550008926

  • 发明设计人

    申请日1955-03-28

  • 分类号B44C3/04;B44F11/02;

  • 国家 GB

  • 入库时间 2022-08-23 22:10:09

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