郭熙＂身即山川而取之＂——中国古代绘画创作理论的重要命题之一,很容易被我们简单地解读为近似于西方古典美学中的＂摹仿＂论,或者被认为是西方近代美学中的＂移情＂现象。而这都不符合此命题的内在含义。文章认为,＂身即山川而取之＂不能等同于西方美学中的＂摹仿＂论,也不是主体对客体的＂移情＂,它是在中国传统的＂天人合一＂哲学思想中孕育的绘画理论,具有深厚的民族特色。%Guoxi＇s ＂integration of man with mountains and rivers＂ is one of the important propositions of ancient Chinese painting theory.It is easily interpreted as being similar to the ＂mimetic＂ theory in Western classic aesthetics or the ＂empathy＂ concept in Western modern aesthetics.Both of them are not coincident to the inherent implication of this proposition.This paper believes that his proposition is not equated with the ＂mimetic＂ theory or the ＂empathy＂ concept.It is a painting theory bred in the philosophical thought of Chinese traditional ＂harmony of man with nature＂,containing a profound national character.
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